Experimenting with Gouache

Since finishing Bracken, I've been experimenting with gouache again.  I really like using it in combination with watercolor but decided to try it the way I understand it's supposed to be used - like acrylic or oils.

One reason I decided to play with gouache this way was to try to learn acrylics without having to clean brushes constantly.  Because gouache is water soluble, you can leave your rinsed out brushes without doing a thorough cleaning of them.  The gouache doesn't set up in the bristles like acrylic or even oil.  I guess I have to be careful not to get into bad brush habits just because I can leave brushes when using gouache.  I don't want to carry any bad habits into my work with acrylic!

I'm not at all satisfied with this painting and may continue to work on it or I may go over it with pastel.  The gouache dries very quickly and smooth strokes and gentle transistions are very difficult for me to achieve.  I do like the basic premise of this but know it could use a lot more work.  The question is whether I want that work to be in more gouache or pastel!

Oh, this painting was done on Arches 140# hot-pressed watercolor paper with Lukas gouache.  I've taped it off so that the actual painted area is 8 x 10 inches.

As always, comments and suggestions are always welcome.

Bracken - After The Fall

I've been working more on Bracken since I dropped her portrait and am once again at the stage where I'll let it sit to make sure there's nothing more I need to do to it.

As always, if anyone sees anything that need to be done or changed, please let me know!

Dropped!

I had done some additional work on Bracken, the Golden Retriever, and was moving him off my art table to a "safer" place when I dropped her!  As you can see, the pastel came off in many places!

This is the first time this has ever happened to me although I've read about it happening to many others.  Sooooo, velour is no longer a favorite support around here.  Fortunately, I only have a couple of sheets of it left.

But, I'm not really so unhappy that it happened.  I wasn't crazy about the portrait and now I can make some changes and not worry about the tooth being filled.  I'm a "the glass is half-full" kind of person! lol

Golden Retriever - Marinating Stage

I think I'm nearly finished with Beautiful Bracken - at least I'm at the stage where I know I'm not quite there but need to let it "marinate" a little before deciding what needs to be done.

I don't know if I messed up or not but the green of the velour paper just wasn't doing it for me so I added in some other greens to give it a little variety.  That's one of the things I want to think about.

Another is the collar  - I normally leave collars off unless the client just wants it  because I find they often distract from the portrait itself.  The round tags might be ok but I plan to ask Linda if I can cover up the buckle part.  My eye goes right to it.

The other thing is the sienna coloring - for some reason it never scans or even photographs very well.  Even though I'm using Richeson, Rembrandts and Senneliers, that particular color seems to be less opaque or something and the undercolors come through, particularly in a scan.  I'll photograph it in a little while and see if I can get a better photo.

If anyone sees anything amiss, please let me know.  If I change anything, I'll post again!

Golden Retriever - WIP 3

Still just pretty much blocking in color although I have started some detailing in the head area.  Still a ways to go.

I forgot to mention that the reference photo is from LJ on Paint My Photo and is of her 11 year old Golden Retriever.  Also that I'm using green Hahnemuhle velour paper, 9x12 inches in size with a variety of soft pastel sticks and pastel pencils.

I'm going a bit more slowly than usual as it took a while to get back in the groove painting on the velour but I think we're cooking now.  If only there weren't the interruptions one gets during the course of the day - I've said it before but I'll say it again - I need a mother!  Not just a housekeeper, but someone like an old-fashioned mother to keep up with the laundry, shop for and cook the meals and keep the house clean!

Any takers out there?

Golden Retriever - WIP2

Just a bit added to the portrait of Bracken, the Golden Retriever.  It's getting easier to work on the velour but I'm still just blocking in colors.  I'll go back over it and refine the details once I have the colors in place.

Watch this space!  lol

Old Favorites

This is directed to the other artists who read my blog.  Did you ever have a favorite support that you used forever and thought was the best thing since sliced bread?

My favorite support was always velour and I rarely had a problem painting on it.  However, the paintings I've done recently have been on PastelMat or ColourFix Suede.  So I had this green velour and thought it would be perfect for the portrait of this older Golden Retriever.  It's been an uphill battle since I started and I just don't understand it!

I thought going back to a previously favorite support would be like riding a bicycle - after all, you never really forget how, do you?  Doesn't the old brain make pathways from repeated motions so those motions can be carried out quickly and easily in the future?  Of course, much of the problem has been getting the right colors. Even though the pastel is covering pretty well, the green background does affect the applied colors.  But the application has been difficult also - the pastels tend to drag and sort of skip on the surface and I can never remember that happening before.

Well, I'll quit complaining and just get back to it.  If it turns out lousy, I'll give it a try on PastelMat or ColourFix Suede!  Shoot, I may even switch media altogether and that would really stir up the old brain synapses, wouldn't it?